“Are there ideas native to Black artists that critics overlook? The question has been asked many times before but the answers have not led to change that the overwhelming number of Black artists would consider to be even remotely satisfactory. The shortage of published criticism of the works of Black artists would lead to the assumption that there are no art ideas—no aesthetic tradition … Read more »
Ephemera from Rehistoricizing at the Luggage Store Gallery
#gallery-1 {
margin: auto;
}
#gallery-1 .gallery-item {
float: left;
margin-top: 10px;
text-align: center;
width: 20%;
}
#gallery-1 img {
border: 2px solid #cfcfcf;
}
#gallery-1 .gallery-caption {
margin-left: 0;
}
/* see gallery_shortcode() in wp-includes/media.php */
Gender, Race & Modernism after the Second World War by Whitney Chadwick
“The emergence of an American avant-garde, along with a body of formalist criticism centered in the writings of Clement Greenberg and his followers, dominates traditional art historical accounts of the period after the Second World War. Nevertheless, abstract and figurative art coexisted despite the increasing critical and curatorial attention directed toward Abstract Expressionist and their successors after 1948. The ways that the meanings of … Read more »
Rehistoricizing Exhibition at the Luggage Store Gallery, June 4 – July 31, 2010
#gallery-2 {
margin: auto;
}
#gallery-2 .gallery-item {
float: left;
margin-top: 10px;
text-align: center;
width: 20%;
}
#gallery-2 img {
border: 2px solid #cfcfcf;
}
#gallery-2 .gallery-caption {
margin-left: 0;
}
/* see gallery_shortcode() in wp-includes/media.php */
