Manuel Neri

Standing Plaster Figure
Enamel on plaster, 5 1/2″x6 1/4″, 1959

Manuel Neri was born in 1930 in Sanger, California. Neri attended San Francisco City College from 1949-50 with the idea of becoming an electrical engineer. A single class in ceramics turned him to art and a move to California College of Arts and Crafts and subsequent studies at California School of Fine Arts (now the San Francisco Art Institute). Studies with such artists as Elmer Bischoff and Richard Diebenkorn led him to abstract expressionism, but a radical turnabout occurred in the 1950s. “I would say that I did a U-turn in my art in 1955 when I saw my first child being born,” he says. “It was a fantastic moment. I realized then that the female body has the magic. The male may have the power, but the female has the magic.”

Manuel Neri has received numerous awards including the Guggenheim Foundation Fellowship, National Endowment for the Arts Grant, San Francisco Arts Commission Award for Outstanding Achievement in Sculpture, Honorary Doctorate for Outstanding Achievement in Sculpture by the San Francisco Art Institute, Awarded an Honorary Doctorate by the California College of Arts and Crafts, and an Honorary Doctorate by the Corcoran School of Art, Washington, D.C.

Manuel Neri’s work has been acquired for many important collections including: Eli Broad Family Collection, Los Angeles; The Corcoran Gallery of Art, Washington, D.C.; and Sculpture Garden, Smithsonian Institution, Washington, D.C.; Memphis Brooks Art Museum, Tennessee; Newport Harbor Art Museum, Newport Beach, California; The Oakland Museum, California; San Francisco Museum of Modern Art; San Diego Museum of Art; Seattle Art Museum;and Whitney Museum of American Art, New York.

In 1990 Neri retired from the University of California, Davis, where he had taught since 1965. Neri lives in the San Francisco Bay Area, and also has a studio in Carrara, Italy, where he spends several months each year creating sculptures in marble.

-Artists Forum

Charcoal, pastel and gouache, 39″x27″, 1978

Plaster, 1978
Manuel Neri CV

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