Rehistoricizing The Time Around Abstract Expressionism http://rehistoricizing.org in The San Francisco Bay Area, 1950s-1960s Sat, 04 Feb 2012 01:56:00 +0000 en hourly 1 http://wordpress.org/?v=3.3.1 Emael on Transgression http://rehistoricizing.org/emael-on-transgression/ http://rehistoricizing.org/emael-on-transgression/#comments Fri, 27 Jan 2012 19:16:15 +0000 admin http://rehistoricizing.org/?p=1121

Interview by Carlos Villa… Read more »

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Interview by Carlos Villa

]]> http://rehistoricizing.org/emael-on-transgression/feed/ 0 Jenifer Wofford http://rehistoricizing.org/jenifer-wofford/ http://rehistoricizing.org/jenifer-wofford/#comments Fri, 27 Jan 2012 19:13:22 +0000 admin http://rehistoricizing.org/?p=1117

Interview by Emael… Read more »

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Interview by Emael

]]> http://rehistoricizing.org/jenifer-wofford/feed/ 0 Nao Bustamante http://rehistoricizing.org/nao-bustamante/ http://rehistoricizing.org/nao-bustamante/#comments Fri, 27 Jan 2012 19:10:53 +0000 admin http://rehistoricizing.org/?p=1115

Interview by Emael… Read more »

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Interview by Emael

]]> http://rehistoricizing.org/nao-bustamante/feed/ 0 Art Criticism: A Pan-African Point of View by Keith Morrison http://rehistoricizing.org/art-criticism-a-pan-african-point-of-view-by-keith-morrison/ http://rehistoricizing.org/art-criticism-a-pan-african-point-of-view-by-keith-morrison/#comments Wed, 10 Aug 2011 23:16:00 +0000 admin http://rehistoricizing.org/?p=1109 “Are there ideas native to Black artists that critics overlook? The question has been asked many times before but the answers have not led to change that the overwhelming number of Black artists would consider to be even remotely satisfactory. The shortage of published criticism of the works of Black artists would lead to the assumption that there are no art ideas—no aesthetic tradition … Read more »

]]> “Are there ideas native to Black artists that critics overlook? The question has been asked many times before but the answers have not led to change that the overwhelming number of Black artists would consider to be even remotely satisfactory. The shortage of published criticism of the works of Black artists would lead to the assumption that there are no art ideas—no aesthetic tradition characteristic of Black people and that therefore, that which is commonly known and written about a handful of Black artists is all that needs to be known. Because of the assumed absence of a Black art character, most critics have felt free to judge Black artists, according to the traditions of American-European art criticism…” Read more »

New Art Examiner, 1978
Scheduled for reprint in: “30 years of the New Art Examiner,” Northern Illinois University, 2011 (NEA)

]]> http://rehistoricizing.org/art-criticism-a-pan-african-point-of-view-by-keith-morrison/feed/ 0 Ephemera from Rehistoricizing at the Luggage Store Gallery http://rehistoricizing.org/ephemera-from-rehistoricizing-at-the-luggage-store-gallery/ http://rehistoricizing.org/ephemera-from-rehistoricizing-at-the-luggage-store-gallery/#comments Thu, 30 Jun 2011 05:51:44 +0000 admin http://rehistoricizing.org/?p=1083 … Read more »

]]> deep parallels clipping 560x593 Ephemera from Rehistoricizing at the Luggage Store Gallery

1960 pacific countries clipping 90x90 Ephemera from Rehistoricizing at the Luggage Store Gallery bernice bing batman gallery 90x90 Ephemera from Rehistoricizing at the Luggage Store Gallery bernice bing photo 90x90 Ephemera from Rehistoricizing at the Luggage Store Gallery bernice bing photo1 90x90 Ephemera from Rehistoricizing at the Luggage Store Gallery ceramics 90x90 Ephemera from Rehistoricizing at the Luggage Store Gallery ceramics2 90x90 Ephemera from Rehistoricizing at the Luggage Store Gallery crumpler equal space clipping 90x90 Ephemera from Rehistoricizing at the Luggage Store Gallery crumpler mural clipping 90x90 Ephemera from Rehistoricizing at the Luggage Store Gallery deborah remington recommendation 90x90 Ephemera from Rehistoricizing at the Luggage Store Gallery debra remington clipping 90x90 Ephemera from Rehistoricizing at the Luggage Store Gallery deep parallels clipping 90x90 Ephemera from Rehistoricizing at the Luggage Store Gallery defeo clipping 90x90 Ephemera from Rehistoricizing at the Luggage Store Gallery defeo clipping2 90x90 Ephemera from Rehistoricizing at the Luggage Store Gallery nell sinton invitation 90x90 Ephemera from Rehistoricizing at the Luggage Store Gallery nell sinton statement 90x90 Ephemera from Rehistoricizing at the Luggage Store Gallery nell sinton 90x90 Ephemera from Rehistoricizing at the Luggage Store Gallery nude 90x90 Ephemera from Rehistoricizing at the Luggage Store Gallery painting 90x90 Ephemera from Rehistoricizing at the Luggage Store Gallery photo 90x90 Ephemera from Rehistoricizing at the Luggage Store Gallery photographers 90x90 Ephemera from Rehistoricizing at the Luggage Store Gallery scan 90x90 Ephemera from Rehistoricizing at the Luggage Store Gallery SFAI courtyard 90x90 Ephemera from Rehistoricizing at the Luggage Store Gallery SFAI exterior 90x90 Ephemera from Rehistoricizing at the Luggage Store Gallery studio 90x90 Ephemera from Rehistoricizing at the Luggage Store Gallery ]]> http://rehistoricizing.org/ephemera-from-rehistoricizing-at-the-luggage-store-gallery/feed/ 0 Gender, Race & Modernism after the Second World War by Whitney Chadwick http://rehistoricizing.org/gender-race-modernism-after-the-second-world-war-by-whitney-chadwick/ http://rehistoricizing.org/gender-race-modernism-after-the-second-world-war-by-whitney-chadwick/#comments Tue, 03 May 2011 23:35:43 +0000 admin http://rehistoricizing.org/?p=1078

“The emergence of an American avant-garde, along with a body of formalist criticism centered in the writings of Clement Greenberg and his followers, dominates traditional art historical accounts of the period after the Second World War. Nevertheless, abstract and figurative art coexisted despite the increasing critical and curatorial attention directed toward Abstract Expressionist and their successors after 1948. The ways that the meanings of … Read more »

]]> chadwick whitney 560x384 Gender, Race & Modernism after the Second World War by Whitney Chadwick

“The emergence of an American avant-garde, along with a body of formalist criticism centered in the writings of Clement Greenberg and his followers, dominates traditional art historical accounts of the period after the Second World War. Nevertheless, abstract and figurative art coexisted despite the increasing critical and curatorial attention directed toward Abstract Expressionist and their successors after 1948. The ways that the meanings of this Modernist art have been produced, reinforce, and challenged can be observed in the shifting relationship of women’s art to broader social formulations and mainstream art during this period… read more » [pdf]

- Whitney Chadwick
Women, Art, and Society
(London, Thames and Hudson, 1990)

]]> http://rehistoricizing.org/gender-race-modernism-after-the-second-world-war-by-whitney-chadwick/feed/ 0 Sung Woo Chun http://rehistoricizing.org/sung-woo-chun/ http://rehistoricizing.org/sung-woo-chun/#comments Thu, 14 Apr 2011 23:04:46 +0000 admin http://rehistoricizing.org/?p=1062 … Read more »

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]]> http://rehistoricizing.org/sung-woo-chun/feed/ 0 Jose Rawar http://rehistoricizing.org/jose-rawar/ http://rehistoricizing.org/jose-rawar/#comments Thu, 14 Apr 2011 23:01:41 +0000 admin http://rehistoricizing.org/?p=1059 … Read more »

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]]> http://rehistoricizing.org/jose-rawar/feed/ 0 Dewey Crumpler on Jazz http://rehistoricizing.org/dewey-crumpler-on-jazz/ http://rehistoricizing.org/dewey-crumpler-on-jazz/#comments Thu, 14 Apr 2011 22:58:23 +0000 admin http://rehistoricizing.org/?p=1056 … Read more »

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]]> http://rehistoricizing.org/dewey-crumpler-on-jazz/feed/ 0 Dewey Crumpler interviews Harold Supriano http://rehistoricizing.org/dewey-crumpler-interviews-harold-supriano/ http://rehistoricizing.org/dewey-crumpler-interviews-harold-supriano/#comments Thu, 14 Apr 2011 22:53:36 +0000 admin http://rehistoricizing.org/?p=1053 … Read more »

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